While some actresses would shy away from letting their line deliveries get emotional enough that their spit and snot practically flies at the camera, Viola Davis is not some actresses. If you feel like you’ve heard the word “Oscar” more than enough when it comes to Davis and Denzel Washington’s Fences, get ready to hear it one more time: Viola. Davis. Is. Going. To. Win. Best. Actress. This. Year.
I liked The Equalizer. I liked it more than The Magnificent Seven, which director Antoine Fuqua and star Denzel Washington made after The Equalizer (and is out in theaters today, read our review, plug plug plug plug plug). The Equalizer, loosely based on the TV show of the same name, was a very confident and occasionally very amusing action thriller that was fully self-aware. It’s basically a perfect basic cable movie; you pop in, you watch Denzel beat a room full of guys without breaking a sweat, and then you brush your tweet and go to bed. And the ending, where it basically becomes Home Alone in a Home Depot (they should have called the movie Home Depot Alone, that was a missed opportunity) was tremendous.